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Culture, Music, Records

House Music is Still House Music


Posted by pipecock at 6:20 pm
11.08.08 | 34 Comments

Warehouse

There’s been a silly amount of good new house records out recently. I’ve talked about a bunch of them, but I’ve got a bunch more even since then. Really this has to be one of the best runs of new records in years, it seems like every week there’s enough stuff out to make an order.

Many of the names remain the same. Quite predictably, the new Reggie Dokes on Philpot is on track to be one of the top records of 2008. Moodymann’s remix of Sascha Dive is another flat out dancefloor killer that morphs from jazzy banger into deep synths and back again as if to say “Now THIS is what ‘Deep America’ means!” Scott Grooves’ second record this year on Natural MIDI is another one for the deep techno heads and the house deejays, proving that there isn’t much difference between techno and house when they’re done properly.

An item of great interest to me in this little run of great records is the amount of European records that actually do it right. Jazzanova (with a little help from Danny Krivit) get it exactly right in what has to be one of the funkiest jazzy house records in years. I guess some will debate as to whether it is “house” or not, but I don’t think there is any question. It’s been discussed to death just about everywhere, but Pépé Bradock’s newest 12″ is ridiculous. “Mandragore” is one of those tunes that you can feel his influences in, but it is distinctly his own style. Sound Stream’s fourth release is a return to form after the weak link in their catalogue that was “Love Jam” (which really wouldn’t be a weak link for most producers, but their track record is too good for that). Most surprisingly to me though was the newest 12″ by Lowtec on Workshop. In a sea of bland knockoffs, the B1 cut stands out as an awesome atmospheric house tune that manages to be dope without being derivative. This along with some of the cuts on Jus-Ed’s recent podcast for RA give me some hope that these European producers are capable of coming with their own style without being copycats.

Of course, while swimming through this sea of great new music, there are always some complaints. I guess some people would rather have a nonsense narrative than great music.

34 Comments

you wanna talk some nonsense?

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